Las óleos de todo Bartolome Esteban Murillo
Prev   1   2   3
ID Image  Painting (From A to Z)       Details 
59992  
Bartolome Esteban Murillo, Two Trinities
  		 Two Trinities   "Two Trinities"
50764  
Bartolome Esteban Murillo, Two Women at the window
  		 Two Women at the window   mk214 c.1655-60 Oil on canvas 124x104cm
53808  
Bartolome Esteban Murillo, Two Women in a fonster
  		 Two Women in a fonster   mk234 about 1670 127x106cm
62588  
Bartolome Esteban Murillo, Unit 4 steps
  		 Unit 4 steps   mk284 Oil on canvas 1655 - 1660 107 x 142 cm U.S. Texas City, Golden Castle Museum Fuhe
67600  
Bartolome Esteban Murillo, Vendedores de fruta
  		 Vendedores de fruta   Title English: The Little Fruit Seller Español: Vendedores de fruta Français : La petite marchande de fruits Polski: Mała sprzedawczyni owocew
69947  
Bartolome Esteban Murillo, Vendedores de fruta
  		 Vendedores de fruta   Medium English: oil on canvas Polski: olej na potnie Dimensions Deutsch: 149 x 113 cm
2766  
Bartolome Esteban Murillo, Virgin and Child
  		 Virgin and Child   1672 Metropolitan Museum of Art, New York
77535  
Bartolome Esteban Murillo, Virgin and Child
  		 Virgin and Child   oil on canvas painting by Bartolom?? Esteban Murillo, early 1650s cyf
75765  
Bartolome Esteban Murillo, Virgin and Child,
  		 Virgin and Child,   Virgin and Child, oil on canvas painting by Bartolom?? Esteban Murillo, early 1650s cjr
62560  
Bartolome Esteban Murillo, Virgin and the Son
  		 Virgin and the Son   mk284 1675 - 1680 Oil on canvas 165.7 x 109.2 Nian the New York Metropolitan Art Collection
62561  
Bartolome Esteban Murillo, Virgin and the Son
  		 Virgin and the Son   Nian mk284 1644 Oil on canvas 151 x 103 cm Madrid Prado Art Collection
62562  
Bartolome Esteban Murillo, Virgin and the Son
  		 Virgin and the Son   mk284 Oil on canvas 103 x 77 cm Los Angeles, Norton Simon Foundation for Tibet
62580  
Bartolome Esteban Murillo, Virgin and the Son
  		 Virgin and the Son   mk284 Oil on canvas 137 x 112 cm Paris, private collection
62581  
Bartolome Esteban Murillo, Virgin and the Son
  		 Virgin and the Son   mk284 Oil on canvas 188 x 137.5 cm National Gallery of Rotterdam Amouz
62565  
Bartolome Esteban Murillo, Virgin Mary and the Santo Domingo
  		 Virgin Mary and the Santo Domingo   mk284 Oil on canvas 1640 207 x 162 cm Tibet Fort Sevilla Anoos
32926  
Bartolome Esteban Murillo, Vision of St.Anthony of Padua
  		 Vision of St.Anthony of Padua   mk84 1656 Seville,Cathedral canvas 560x369cm
62647  
Bartolome Esteban Murillo, Wedding Ghana
  		 Wedding Ghana   mk284 Oil on canvas 179 x 235 cm
62589  
Bartolome Esteban Murillo, Window of two women
  		 Window of two women   mk284 Oil on canvas 1670 125 x 104 cm National Gallery Washington
62595  
Bartolome Esteban Murillo, Window, smiling boy
  		 Window, smiling boy   mk284 Oil on canvas 1670-1680 years 52 x 38.5 cm National Gallery of London
62594  
Bartolome Esteban Murillo, Wolves wanderer overspending
  		 Wolves wanderer overspending   mk284 Oil on canvas 21 x 42 cm Madrid, Museo del Prado
32936  
Bartolome Esteban Murillo, Young Boys Playing Dice
  		 Young Boys Playing Dice   mk84 ca.1665-75 Munich,Alte Pinakothek. canvas 145x108cm
Prev   1   2   3
Bartolome Esteban Murillo
Spanish 1618-1682 Bartolome Esteban Murillo Galleries Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception. After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.



Sweden Wholesale Oil Paintings, Stretcher Bars, Picture Frames & Beveled Mirrors